Tag: women artists

Art by Su Zi
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A stylized image of artist Sara Carter, with a background blur and "Sarah Carter: a retrospective" as its text.

In Consideration of Color: the Paintings of Sara Carter

Painting, as a genre, is utterly intertwined with human civilization, yet modern culture has shunted the form to a niche concern: ours is a landscape of careful neutrality and traffic flow, and distinctiveness is often exiled. The very use of the term painter often leads to semantical confusion with commercial uses of suspended pigment; a person who uses paint on a canvas these days is an artist—a broad description that still carries social stigma.

Nonetheless, there are places to go see paintings, specific houses of art. Beyond this physical reality, paintings—and all art forms now—can be view remotely; most established of these views is the art book. The art book is perhaps the most traditional means to view art from a remove, as humanities classes relied upon such texts for the past century or so. Art books themselves, at one time, were seen as decorative—as signs of affection for a world where art matters, as displays of class aspirations or alliance—and were often deliberately large and heavy. […]

Book Review by Su Zi
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A stylized image of American Jewish painter Gladys Goldstein working on an art collage.

Feminine Touch: on Mattilda Bernstein Sycamore’s “Touching the Art”

To be a woman in the modern world is to be an acrobat of social expectations. In contemporary times, gender is such an eager subject that some cultures reveal the biological formations of flesh while the forthcoming infant is still in the womb. Women do have wombs, but a woman is more than her womb. When a woman wills herself to be more than her womb, she runs directly into her culture’s social expectations. For those who were born women, these social expectations are inculcated from the first gulp of air when they are gendered. The processes by which little girls are educated in their gender roles extends beyond dolls versus cars. Recent conversations about readily recalled moments of their girlhood from adult women include an attention to their hair not given to brothers (the pincurl for Christmas), required domestic tasks (Mom and I cleaned, the boys went outside), the presence of dresses and other diminutive replications of gender-specific adult costuming. This is so entrenched in our social expectations that we are surprised at any scrutiny of them.

When a woman wants to be more than a womb, she will bump up against these social expectations, these invisible Rules. Some of the interaction with the Rules will be external—her healthcare institutions, educational institutions, and geography will do much to influence how she moves about in the physical world. Her rights as a sentient being, as a citizen, will include these external interactions. If a woman thinks she can be someplace, it is because she was educated to do so, she was permitted to do so, or she fought to do so. Contemporary culture has stories galore of the first woman to do something, and how now many women can and how girls can aspire. […]