Tag: taxi driver

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Rosanna Arquette smoking a cigarette in Martin Scorsese's "After Hours" (1985)

The Furious Fever Dream: Martin Scorsese’s “After Hours” (1985)

Never has a statement been more pertinent (other than in Carnival of Souls itself) as it is in Martin Scorsese’s After Hours. Just what is daylight in relation to night? And why does everything seem out of the ordinary once the sun sets? Martin Scorsese’s After Hours is an outstanding film, but not for the conventional reasons one might think. On one hand, the story is simple—a man goes out late at night to presumably meet up with a girl, only for his rendezvous to not work out, and then, amid his continual bad luck, he is unable to get home. Trying, trying, he continues to fail. Moreover, as I write this, the world is readying for the 2024 eclipse, and news stations have little else to discuss. As result, people have become hyper-fixated, and a little distracted, somewhat like the characters in After Hours.

The film begins with Paul Hackett (Griffin Dunne) at work, training a new employee on his company’s word-processing system. Since this is 1985, the screens look archaic and appear much more difficult to navigate than now. ‘I do not intend to do this for the rest of my life,’ the trainee says (played by Bronson Pinchot from Perfect Strangers). Paul is only half listening, as we can tell he’s been through this many times before. ‘Hmm?’ he asks, more so out of politeness than concern. The trainee goes on to speak about starting a literary magazine and forum for intellectuals—which are big dreams for an entry-level word processor. Meantime, we see a disinterested Paul gazing off into a daydream until he excuses himself. […]

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A stylized shot of Robert DeNiro looking out of his taxi in Martin Scorsese's "Taxi Driver".

Mindful Loneliness: Martin Scorsese’s “Taxi Driver” (1976)

There are few films that encapsulate loneliness as well as Martin Scorsese’s Taxi Driver. Two others that come to mind are Woody Allen’s Another Woman (1988) and Terrence Malick’s The Thin Red Line (1998). In the Allen film, a woman turning 50 comes to realize that she has pushed everyone away, and in the Malick film we witness how war isolates the spirit from the mind. And yet Taxi Driver is not only the portrait of a weathered man facing his own war, but one who attempts to connect and fails every time. Travis Bickle (Robert DeNiro) works at night and so his world is dark and violent. ‘All the animals come out at night,’ he says, as he looks on with contempt and disgust. Still, he longs to belong somewhere but does not know where that is.

For start, we do not know much of his past, other than he is an ex-Marine who was honorably discharged in 1973. As for education, ‘a little bit here, a little bit there, ya know,’ he says. We don’t know his parents or how he came to be other than his wish to escape his life via working long hours in a taxi. People enter his cab and then they depart as quickly as they came. There are no attachments. Then, when it is morning and his shift is done, he is forced to wipe the semen off the seats before he escapes to a porno theatre. […]