Big box bookstores rarely carry small press books, and although some independent bookstores might shelve small press publications, they do not usually offer handmade books. There are also artist-made books, most often a single volume that can be a stunning example of what a book can be: a sublime experience of combined fibers. Books as an art form have been a genre most often seen in either craft shows or esteemed special collections, and can vary from exquisite blank journals to fragile historical treasures. It is not often enough that the ordinary bibliophile will curate handmade books into their collection, even if that personal library includes small press volumes.
Yet in Ethel, we have a small press that has consistently produced an impressive catalogue of handmade books. In addition to side sewn bindings that speak to a serious home sewing machine, each cover features collage and sewn elements—obvious work by hand yet done in the sequence of an edition. A recent release from Ethel is Wiregrass by Moira J. Saucer, which is an apparition in yellow, a textual and tactile experience that begins with holding the yet unopened book. The cover image itself has hand painted elements—a leaf, a flower (done is a yellow that is akin enough to the cover’s yellow to give the impression of depth of perception)—and then outlined with some lines sewn onto the cover. Our consideration of the artist-editor painting, then sewing a sequence of covers must pause at this achievement alone; of the hundreds of small presses whose editors consider a manuscript by the effort and reward model of production, Ethel’s commitment to the manuscript includes this level of commitment: handcraft is hours upon hours upon hours. […]