Tag: don moss

Read More
A black and white self-portrait in reflecting mirors by filmmaker, poet, and photographer Joel Parrish, to whom Don Moss's poem "Hawkeye" is dedicated.

POEM: Don Moss’s “Hawkeye” (for Joel P.)

HAWKEYE  

(for Joel P.)

1
Wishing the now of captures lingered
So one might shoot again,
But culling the big twelve,
Several were set aside for next-of-kin
2
The miss-framed better-forgotten
Refractions of light
In cahoots with chemistry
Of that grainy time
3
Of tempered view
Fawning chameleon memory
The white of a face
Planed in a burning blink, […]

Read More
A still from Alex Sheremet's and Joel Parrish's upcoming documentary on the Georgia poet Don Moss, looking out in profile in the dark.

Poetry on Film: Don Moss’s PRO SE

Pro Se

Inside, that highly practiced part of one
Spoke louder with the intent to note
What could be deciphered by focused pure
Repetition, and details might amount,
Clearly point, to woven particulars

Of the moment it directed these words’
Tracing, as charcoal copies that headstone’s
Call to attention of the infrequent
Visitor, of the whole damned repeating
Rebelling wish to dig up, get out, before […]

Read More
A statue of Christopher Columbus against a cloudy blue sky, with the title of Don Moss's poem, "Filling the Family," in the top-left corner. This image was chosen because the reason for the Italian family's get-together is Columbus Day.

POEM: Don Moss’s “Filling the Family”

Was that time for the remaining seven
To congregate: Columbus Day. One was
Not to mention Spain, gold, native abuse,
The Mariner’s deep red hands or his not
Reaching India, rationing sherry
For dead reckoning to a western beech.

Regaining course, the Santa Mari
Of this day was the same as ’24,
That ’70s coy pinup (sliced scalene
By three scissoring streets) in full display,
Its barbered lawn, its brawny steel front door,
Lightly opened by Ani’s quick, watchful

Hand and hug and greeting and fair warning
Of the sunken living room floor—very
So, so 70s—and not yet filled in,
Built over, tightly caulked and made a pool;
But, one forgets, there’s one of those in back,
Gallbladder sized or some other organ. […]

Read More
A photo chosen for Don Moss's classic poem, "Space Break," as the photo depicts a bird outside as if the spectator is the one caged. Photo is (c) Alex Sheremet, 2025.

Poetry On Film: Don Moss’s “Space Break”

She was serious about this, breaking loose,
Spending twenty bucks (five more than we’d been hooked),
Scoring three joints’ worth of dried cannabis blossom
That crumbled grittily as she rolled.
That’s a lot for someone living on
Her savings and her under-achieving husband’s
Pay, until her thesis is written,
Defended and set on a shelf to collect dust…
She hoped this substance would, she hoped,
Crack routines grown staid as bureaucracy. […]