New York City’s coldest winter in decades thawed into mud, froze again, then gave way to the hottest spring of my lifetime. Given the irreality of both seasons, you will find a mix of urban grunge and analog dreamscapes, mostly in color with a few black-and-white shots.
All photos were taken on the Pentax MX 35mm camera loaded with Kodak UltraMax 400 film.
You may contact me for high-resolution versions of each image. You can also view 100s of more shots from around the world here. […]
A few months ago, I started to use the Canon EOS M50’s 4K video option for much of my digital photography. Since I edit digital photos quite a bit, 4K video offers a good balance of crispness and fuzziness, allowing you to more easily control how illustrative the final result should be. It also allows you to choose the best photographic still and not worry about precise timing. The M50 doesn’t have the best autofocus, yet this can be an advantage when catching (or omitting) certain details in the shot. Some images, such as “Thoughts Hang Like Rain” (below), would have been difficult without 4K video and haphazard autofocus. As a result, there can be a grunge feel even in the more delicate shots.
These photos were taken in the second half of 2025, across New York City, Minneapolis, Pittsburgh, Virginia, and Nebraska. Although the Canon M50 is mostly my support camera for stray shots, they can be excellent photographs in their own right, since few cameras are as light, nimble, and forgiving. Because I shoot V-Log on my LUMIX, I use Vivid preset on the M50 to make these shots more dramatic. This is especially useful for desaturating the color grade later, as it will still look quite rich. […]
